| “[Colin Richmond’s] sumptuous frocks [...] Jason Carr's score, inspired by the tango and French cabaret music, and Wayne McGregor's elegant dance routines [...] capture the play's distinctive Gallic mood in which style, wit and moments verging on farce are accompanied by an undertow of melancholy.” Charles Spencer, Daily Telegraph |
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Composer/lyricist Stephen Sondheim himself has described Jason’s
new orchestration as superlative.
The score’s lush melodies and chromatic feverishness sound ravishing ... Sam Marlowe, The Times Musical director Caroline Humphris and a talented band do Jason Carr’s orchestrations proud for what is a much recommended production. Lisa Martland, The Stage |
Jason Carr's music and lyrics are busily inventive and the show is done with great brio [...]
there is much in the show to savour. Carr's score has a darting, feverish urgency that
reminded me of Sondheim [...] Anthony van Laast's production whisks us
crisply through the decades, and Sue Blane's design, with its solarised back-canvas,
evokes the impending burnout in Miller's life. And Anna Francolini is remarkable as Miller:
she gives us the heroine's caustic wit, erotic zest and spiritual restlessness.
Michael Billington,
The Guardian
Under Anthony Van Laast’s direction the action moves swiftly and smoothly and enhanced by Jason Carr’s score, which is played superbly by a five piece orchestra, making it more operatic than your average musical [...] Anna Francolini is a superbly beautiful Lee Miller – a view endorsed by Lee’s granddaughter Ami - and [...] Now that I have discovered Lee Miller I need to know more. I now feel I have to read the book and visit the farm - it’s that sort of show! Sheila Ann Connor, Whatsonstage.com
[...] infinitely more alluring than most of the mindless jukebox musicals that have cluttered up the West End for so long.
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[...] now comes this superb new play by Helen Cooper in the Minerva.
It's an astonishing piece—witty, emotionally raw and deeply affecting—that leaves you gasping
at the imaginative ingenuity of the dramatist's central conceit.
[...] It receives a strikingly deft production from Samuel West,
stylishly designed by Ashley Martin-Davis and with music by Jason Carr that gives a strong
impression of Ella's atmospheric [piano] concerto.
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This delightful musical adaptation at Chichester does justice to the piece's wild
originality while also making it far more consumer-friendly to a present-day audience.
[...] the whole show has a freshness and charm that should make it irresistible both to children and their parents.
[...] Jason Carr contributes terrific music and lyrics, with songs that range from the
yearningly lyrical to vaudevillian knockabout, with the odd knowing nod to G & S and Sondheim. [...]
The Water Babies is a treat, and, as well as being a delightful show for children, it strikes me as
that rarest of phenomena—a genuinely successful new British musical [...] It must surely have a life beyond Chichester.
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